Artists

Talese Harris

Career Level: Mid-Career
Medium: Ceramics, Painting, Photography, Sculpture, 2D Mixed Media, 3D Mixed Media, Mural

Open for Commissions: Yes

My practice is deeply influenced by cinema and avant-garde aesthetics, with a focus on the exploration of identity, culture, and human experience.

http://www.talesemichelle.com
https://www.instagram.com/talesemichelleart/
https://www.tiktok.com/@talesemichelleart

About

Talese Michelle Harris is a multidisciplinary artist from Detroit whose expansive practice bridges sculptural painting, video, soundscapes, film, performance, and installation. Deeply rooted in storytelling, Harris approaches art making as an immersive and transformative process that intertwines memory, spirituality, materiality, and emotional resonance. Her work investigates the layered complexities of womanhood, identity, and human vulnerability through fragmented imagery, textured surfaces, and multidimensional narratives that blur the line between reality and mysticism. Before fully dedicating herself to visual art, Harris cultivated a creative foundation in music and film. She portrayed Iris in the iconic film Jungle Fever directed by Spike Lee, wrote and produced music for Notes from the Underground by Riot Baby, and appeared in independent films that shaped her cinematic and performative sensibilities. These early experiences continue to influence the emotional atmosphere and narrative structure of her visual work, where gesture, rhythm, sound, and movement remain integral components of her artistic language. Harris later expanded her storytelling practice through writing and directing her short film Alice, further exploring themes of inner transformation, psychological landscapes, and Black existential experience. Nearly a decade ago, Harris embraced painting as the central force of her evolving artistic practice. Since then, she has developed a distinct visual language that merges painting with sculpture and assemblage. Working across canvas, wood, found objects, natural materials, textiles, branches, and layered surfaces, her works often emerge from sourced photography, fragmented memories, and intuitive mark-making. Her paintings become tactile environments—rich with texture, erosion, abstraction, and physical presence—where earthly materials hold emotional and spiritual weight. The incorporation of found natural objects and sculptural elements reflects her interest in ancestry, ritual, decay, transformation, and the relationship between the physical and metaphysical worlds. Influenced by folk art traditions, Black cultural histories, surrealism, and spiritual symbolism, Harris describes her work as a form of new romanticized realism. Her paintings inhabit spaces between dream and documentation, intimacy and distance, visibility and concealment. Through voyeuristic compositions, she explores themes of self-discovery, longing, displacement, emotional inheritance, and embraced otherness. Her figures often appear fragmented, obscured, or suspended within atmospheric environments, embodying both fragility and resilience while challenging fixed notions of identity and representation. Detroit remains a profound influence throughout Harris’s practice. The city’s histories of music, architecture and abandonment, inform the emotional terrain of her work. Harris captures Detroit not simply as a location, but as a psychological and spiritual landscape—one marked by survival, beauty, grief, reinvention, and collective memory. Her work reflects the tension between collapse and renewal, examining how Black communities continue to create meaning, intimacy, and transcendence within evolving urban environments. Alongside her studio practice, Harris is deeply committed to arts education and community engagement. As an educator at the Detroit Institute of Arts, she creates spaces that encourage creative exploration, self-expression, and critical dialogue through art. She received her Bachelor of Fine Arts degree from Wayne State University in painting and continues to develop a practice rooted in storytelling, material exploration, and community engagement. Through immersive visual worlds and emotionally charged storytelling, Harris creates work that invites viewers into spaces of reflection, spiritual inquiry, and collective connection.

Artist Statement

My practice is deeply influenced by cinema and avant-garde aesthetics, with a focus on the exploration of identity, culture, and human experience. Central to my work is the portrayal of marginalized Black eccentrics, particularly the nuanced
narratives of Black women and the mystical dimensions of their existence. I am drawn to the complexities of Black womanhood, with its power, resilience, and spirituality, and seek to amplify these often-overlooked stories in my art.
A recurrent motif within my work is the fusion of realism with alternative realities, reflecting a desire to blur boundaries and challenge conventional perceptions. Employing black folk art as a sophisticated medium to convey complex narratives,
the theme of "otherness" is deeply embedded, inviting viewers to reflect on Black identity and the ways in which cultural heritage shapes individual and collective experiences. The folk art aesthetic is used not just as a visual style but as a form of resistance—an act of reclaiming and redefining a cultural heritage often reduced to stereotypes or oversimplifications. My artistic inquiry invites viewers to reflect on how heritage, identity, and the experience of being "othered" shape both individual and collective understandings of the self. I am inherently drawn to the exploration of paradoxical human behavior and existential anxieties, which manifest in my art through the portrayal of voyeuristic "in-between" moments akin to cinematic snapshots. These vignettes serve as portals into the subconscious, prompting viewers to confront their own perceptions of reality and identity. Throughout my body of work, there exists an underlying intensity that simmers
beneath the surface, imbued with nuanced and disquieting undertones, drenched in magical Black beauty. Ultimately, my goal is to create an emotional connection that transcends visual representation. Through my art, I hope to spark reflection and introspection, offering a space where viewers can engage with stories that may resonate with their own experiences or help them understand the experiences of others. My work is not only a personal expression but an invitation for collective healing and growth, where the mystical and the real coexist to challenge the norms and empower those often overlooked.

Gallery

Past Exhibitions:

SOLO EXHIBITIONS
2023. Synesthesia. The Congregation. Detroit, Michigan.
SELECTED JURIED EXHIBITIONS
2026. Hot Damn! The Detroit Artists Market Annual. Detroit, Michigan.
Juror, Gil Ashby.
2025. Hot Damn! The Detroit Artists Market Annual. Detroit, Michigan.
Juror, Kelli Morgan.
2024. Hot Damn! The Detroit Artists Market Annual. Detroit, Michigan.
Juror, Katie Pfohl.
2024. Gilda Snowden Memorial Exhibition. Scarab Club. Detroit,
Michigan. Juror, Richard Lewis.
2021. All Media Exhibition. Detroit Artists Market. Detroit, Michigan.
Juror, Valerie Mercer.
SELECTED GROUP EXHIBITIONS
2025. Detroit DNA. Detroit Artists Market/University of Michigan,
Detroit Center. (February 7-March 3, 2025)
2024. Art Fair Detroit. ArtClvd. Detroit, Michigan.
2024. We Been Here. Swords Into Plowshares. Detroit, Michigan.
2024. Art of Basblue. Detroit, Michigan.
EDUCATION
Wayne State University. BFA, Painting. 2018.
Talese Michelle
FILM AND TELEVISION
Alice. Lead role of Alice. Self written and directed.
A Complicated Cartoon. Role of Kim.
America’s Most Wanted. Role of Danielle.
Jungle Fever. Role of Iris. Directed by Spike Lee.

Awards & Residencies:

FELLOWSHIPS
2024-2025. City Walls Detroit. Detroit Artist Apprentice Program.


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